Arts and culture

Taxonomy

Code

Scope note(s)

  • The subject term Arts and culture should be used with any descriptions related to visual arts, performing arts, literature, artists, (musicians, actors, visual artists, dancers, writers, architects photographers, etc.), artistic and cultural institutions suchs as foundations, museums, art schools, heritages sites, libraries and archives, art or culture related business or organizations such as book stores, cultural events such as fairs, parades, lecures, festivals, presentations any research or projects rate to arts or culture and professional art and cultural organizations.

Source note(s)

Display note(s)

Equivalent terms

Arts and culture

Associated terms

Arts and culture

2736 Archival description results for Arts and culture

1316 results directly related Exclude narrower terms

Kay Kinsman fonds

  • CA ETRC P062
  • Fonds
  • 1947-1998

The fonds contains source material on Kay Kinsman's life as an artist from 1947 to 1998 and a student at Bishop's and McGill Universities from the 1970s to 1998. It consists mainly of notebooks, watercolour books, sketchbooks, press clippings, correspondence, papers submitted for courses at Bishop's, her M.A. thesis, exhibition catalogues, slides and photographs. The fonds is comprised of the following series : Private Life (1947-1998), Artistic Life (1949-[between 1980 and 1998]), Academic Life (1964-1996), and Works on Kay Kinsman (1992-1995).

Kinsman, Kay, 1909-1998

Fonds Bibliothèque Françoise-Maurice de Coaticook

  • CA SHC F038
  • Fonds
  • 1971-2014

Le fonds présente les activités et le gestion de la Bibliothèque Françoise-Maurice de Coaticook de 1971 à 2014. Il consiste de rapports annuels, de procès-verbaux, de photographies et de coupures de presse. Le fonds est composé des séries suivantes: Documents historiques, Procès-verbaux, Rapports annuels, Activités et animation, Bâtiments et biens mobiliers, Coupures de presse.

Doris Snowdon fonds

  • CA ETRC P138
  • Fonds
  • [195-?]-[2002?]

The fonds contains biographical source material on Doris Snowdon's life as an artist and on her family genealogy. It consists of a biographical brochure, an article on the Maffre's genealogy, 3 paintings (reproductions) and 6 sketches. The fonds is comprised of the following files: Biography ([196-?]-2001), Maffres' Genealogy ([2002?]), and Artistic Works ([195-?]-[196-]).

Snowdon, Doris, 1897-1996

Bruce Snowdon's Cottage, Sally's Pond

The part consists of a sketch showing Bruce Snowdon's cottage on Sally's Pond. Trees surround the cottage. The pond and the hills surrounding it can be seen in the background.

Snowdon, Doris, 1897-1996

Still Life / Self Portrait

The part consists of a still-life sketch showing what appears to be a purse sitting on a reflective surface with a pair of gloves resting on top of it. An ashtray can be seen to the right, the smoke of a lit cigarette rising from it. Other items can be seen on the table, including what appears to be jewelry.

Snowdon, Doris, 1897-1996

Northeast from Swimming Beach, Sally's Pond

The part consists of a sketch showing the view from the swimming beach on Sally's Pond. Cottages belonging to (left to right) the Crandalls, Crandalls, and McMillans are visible across the pond among the hills.

Snowdon, Doris, 1897-1996

Snowdon Cottage, Sally’s Pond

The part consists of a sketch showing the Snowdons' cottage on Sally's Pond. Trees and a lawn flank the driveway. The roof of another small building is partially visible at the end of the driveway. The hills surrounding Sally's Pond are visible in the background.

Snowdon, Doris, 1897-1996

From Snowdon Property, Looking West, Sally’s Pond

The part consists of a sketch showing the natural scenery around Sally's Pond. Six trees are visible in the foreground, including five birches. Sally's Pond and the surrounding hills are visible in the background.

Snowdon, Doris, 1897-1996

North End, Sally's Pond

The part consists of a sketch showing the natural scenery around Sally's Pond. A road with an open gate is visible in the foreground. Trees and foliage are visible in the centre. Sally's Pond and the surrounding hills are visible in the background.

Snowdon, Doris, 1897-1996

Sketchbook

The item consists of a sketchbook containing five sketches of Doris Snowdon's cottage on Sally's Pond near Bolton Pass and the surrounding scenery, and one still-life sketch.

Snowdon, Doris, 1897-1996

Artistic Works

The series contains primary source materials documenting Doris Snowdon's life as an artist. It consists of a sketchbook containing five sketches of her cottage on Sally's Pond near Bolton Pass and the surrounding scenery, and one still-life sketch.

Snowdon, Doris, 1897-1996

Biography

The series contains biographical source material on Doris Snowdon's life as an artist. It consists of a biographical brochure written by Marjorie L. Mikasen in 2001.

Mikasen, Marjorie L., 1959-

Music and theatre

File presents information on arts and culture in Coaticook from 1930 to 1950. It consists of a souvenir programme for "Dolly (I love you)" (1930), sheet music and a souvenir programme for “Lolita” (1934), a souvenir programme for “Le Trouvère” (1935), sheet music for “Chant de ralliement” (1950), poems by Victor Péloquin/Victor de Grand-Pré ([195-?]), a programme for a conference and concert organized by the Société du Bon Parler Français and the Société St. Jean-Baptiste (1951), a programme for the annual concert for the Symphonie Vocale including a photograph of the choir (1957), and a programme for the 22nd festival of the Fédération des Fanfares Amateur de la Province de Québec organized by the Harmonie de Coaticook (1962).

Play Old Cronies

This item is a photograph of two men acting ''Old Cronies'' in 1902. Orson Rublee (on the left) and Arthur Speid (on the right).

Poems and Quotes

The file consists of poem and quotes, composed between 1863 and 1969, and collected by Leonard Auger. Authors of the compositions include: Clarisa Taylor, R.E.T. Law, A.E. Sims, Mary E. Adams, Edith M. Helstern, John Oxenham, Rose Greenlay Eliot-Smith, Leonard Auger, and E.M. McLaren.

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