Item 1993_049 - Alexander and Diogenes

Original Digital object not accessible

Title and statement of responsibility area

Title proper

Alexander and Diogenes

General material designation

Parallel title

Other title information

Alexander visits Diogenes in Corinth - Diogenes asks him to stand out of his sun.

Title statements of responsibility

Title notes

Level of description



Reference code

CA BU BUArtColl-1993_049

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area


Physical description area

Physical description

1 print : ink on paper ; 46.5 x 27.8 cm

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator


Biographical history

Rosa was an Italian painter of the Baroque period, as well as a print-maker, poet and author of satires. He was active in Naples, Rome and Florence, and best known for his unconventional and romantic landscapes, as well as his rebellious nature. Rosa was indisputably a leader in that tendency towards the romantic and picturesque, called a proto-romantic. His landscapes avoided the idyllic and pastoral calm in the landscapes of Claude Lorrain (1600 – 1682) and Paul Bril (1554 – 1626), and created brooding, melancholic fantasies, awash in ruins and brigands. As a writer, Rosa was equally romantic in his descriptions and rebellious in his attitude towards convention.
Rosa began his training in Naples, notably with his future brother-in-law, Francesco Francanzano (1612 – 1657), who trained under the influential Spanish painter, Jusepe de Ribera (1591 – 1652), who Rosa may have trained with as well. It is also said that Rosa may have trained with the Naples painter, Aniello Falcone (1600 – 1665), who was also an apprentice to Ribera. After a brief trip to Rome, he returned to Naples and began painting his wildly romantic landscapes, eventually returning to Rome after 1638 painting one of his only altarpieces, Incredulity of Thomas.

Custodial history

Scope and content

Notes area

Physical condition


Immediate source of acquisition


Language of material

Script of material

Location of originals

Availability of other formats

Restrictions on access

Terms governing use, reproduction, and publication

Finding aids

Generated finding aid

Associated materials

Related materials


Signatures note


Alternative identifier(s)

Standard number area

Standard number

Access points

Subject access points

Place access points

Name access points

Genre access points

Control area

Description record identifier


Institution identifier

Rules or conventions


Level of detail

Dates of creation, revision and deletion

Language of description

  • English

Script of description


Digital object (Master) rights area

Digital object (Reference) rights area

Digital object (Thumbnail) rights area

Accession area

Related subjects

Related people and organizations

Related places

Related genres